An Isle of Wight duo takes us past ‘Chaise Longue’ to a wicked village we already live in.

The ethereal enchanter ‘Glitch Princess’ enters the room.

Norwegian multi-musician matures to master the play with light and dark forces, dressed in goth-meets-grunge attire.

Hop on your horse, cowboy. Catch the sunset and Bria’s patriarchy-threatening country covers.

‘Things Take Time, Take Time’ is a record everyone needed but no one would ask for it. In the post-pandemic rush, pressure to keep up with the, once again, too-fast paced everyday, we’re scared to stop.

A slow-burning sequel that could use some jazzing up.

In ‘Blue Banisters’ Lana Del Rey asks us to help her reimagine her legacy, clashing old with the new, heaven with hell and profane with the sacrum.

On ‘Nothing Feels Real’ Bleach Lab makes us feel things we’ve swept under the carpets of our hearts. It’s strangely freeing.

Welcome to one of a kind Stice’s feats of fetishes. We got spiced up rap as a starter, speedy electronica for main and a very weirdly looking dessert. Dig in, it’s disgusting. 

Pond went deep-diving into previously uncharted territory to find experimental psych-treasures.